Zakes Bantwini takes transports you on a journey of prayer and aspiration rooted in speaking to the Black experience.
“The Osama hitmaker starts speaking to the notion collectively with the opening track, Abantu.
He then explores the nuances of his sentiments through speaking to black women experiences by enlisting black women features.
The prayer to…
to the higher power for the people, Nana Atta speaks on togetherness of the people”.
Abantu which translates to people. The song with Karyendasoul is an expression of Nana Atta pleading for her people who have been suffering for way too long.
She continues to plead for the success of her community and the people at mass.
“The Mid-tempo, is the epitome of dance music, infuse with Nana Atta’s seamless vocals bringing it back to African roots.
The trio of Zakes Bantwini, Karyendasoul and Nana Atta has proven to be the best in delivering dance music from Africa to the world”.
The Mid-tempo, is the epitome of dance music, infuse with Nana Atta’s seamless vocals bringing it back to African roots.
The trio of Zakes Bantwini, Karyendasoul and Nana Atta has proven to be the best in delivering dance music from Africa to the world.
The Ghetto King includes songs that have a similar listening experience to Abantu range from Bawo featuring Amanda Black,Uzalo featuring Nomkhosi and Khetha, the Abanturemix by Da Capo titled Amanga, and Kumnyama featuring Mthunzi.
